Hyderabad|India|July'2011:Anandapriya Foundation
founded by a group of art and literature lovers presented a scintillating
Kuchipudi dance recital by Sarvepalli Madhavimala at Sunshine Hospitals’
Auditorium. The programme was sponsored by Sunshine Hospitals, Hyderabad.
A number of classical dance lovers attended the programme.
The objective of Anandapriya Foundation is to provide the community the
opportunity to enjoy access to Indian classical music, dance and
contemporary painting. The Foundation also intends to hone English
language skills in children by bringing out versions of global literature
in the form of well-illustrated story books.
The talented artiste, Sarvepalli Madhavimala, has received her training
under some of the finest Kuchipudi maestros in South India. Initiated
early, she received her first formal training from Sri Vempati Kodanda
Rama Sastry, son of Sri Vempati Venkatanarayana, of the illustrious
Kuchipudi Trinity. She further honed her stylistic techniques from
well-known Gurus including Dr. K. Uma Rama Rao and Sri Vedantam Prahalada
Sarma. Madhavi has performed in prestigious sabhas in India and has toured
many countries. Madhavi has been recently conferred with the title ‘Kala
Ratna’ by the State Government of Andhra Pradesh for her dedication to the
Kuchipudi art form.
Madhavimala started the performance with a traditional invocation
Pushpanajali, followed by a Vinayaka Stuti in Surati ragam and Adi talam.
Gale Bhujanga composed by Ustad Amjad Ali Khan in Hamsanandi ragam, Misra
Chapu came up next. Gale Bhujanga is a devotional piece describing the
beauty of Lord Siva replete with Sringara sentiment. Madhavi’s Sanchari
abhinaya in Vande Srimataram on Goddess Parvathi and her various
incarnations was quite impressive. Emoko chigurutadharamuna, an
Annamacharya kirthana in Thilang ragam and Rupaka talam followed. A
scintillating Tarangam, the hallmark of Kuchipudi classical dance
repertoire in Mohana Ragam, Jhampe talam showcased Madhavi’s skill in
Nritya and Nritta. Celebrated violin maestro Sri Lalgudi Jayaram’s
Thillana in Madhuvanti ragam and Adi talam thrilled the audience. The
end-piece, a Ragamalika composed by Saint Annamacharya depicting a quaint
lullaby sung by mother Yasoda for baby Krishna truly captivated the
audience.